Bold colour blocks in yellow blue grey and red fill the entire image. The figure reads through the grid rather than in front of it. Energetic and immediate.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, flat planes of yellow, blue, grey, and red fracture and define the form
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, luminous impressionist style with pale floral tones and delicate brushwork
Deep blue with sweeping fluid forms that merge completely with the figure. The hair explodes into waves that fill the entire image. Figure and style become one thing.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, where hair and form become tidal surges of saturated blue abstraction
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, shattered ice facets refracting form into cold angular fragments
Bold fragmented patches of orange yellow red and blue fill the entire image. The figure is absorbed into pure colour energy with no background visible. Wildly energetic and immediate — one of the most saturated styles in the set.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, in a wildly energetic style of pure saturated color with no background
Deep warm brown with large rounded forms generating ghostly face-like shapes in the background. The figure stands before a surround of watching presences under a rounded arch. Dark and atmospheric with an unsettling warmth.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, painted in warm brown with ghostly presences emerging from atmospheric darkness
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, bold figure repeated in an ordered grid of warm and cool tones, slightly surreal
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in raw textural strokes with muted blue-grey and brown tones
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, in cool oceanic blues with rotating organic forms and warm figure contrast
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, cool glowing masses float in near-black space with warm figure contrast
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes