Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, warm red cubist fragmentation, faceted planes revealing structure
Deep reds and burgundy with bold swirling impasto forms filling the background. The figure sits in a vortex of colour. Emotional temperature runs hot.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, bold burgundy impasto whorls radiating emotional heat
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, luminous impressionist style with pale floral tones and delicate brushwork
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, eerie repeated figures emerge from shadowy grey backgrounds with expressive gestural marks
Rich golds yellows blues and purples in bold vertical painterly forms flanking the figure. Vivid and immediate. The figure stands in a surround of pure colour energy.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, surrounded by bold vertical strokes of pure luminous colour energy
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, loose painterly grid of blue and yellow with energetic graphic presence
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, bold cyan outline glowing against soft grey painterly forms
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, bold flanking figures in deep charcoal and pink, intimate and confrontational oil style
Cool blue taupe and gold with a dense packed background of fragmented figurative forms — faces and figures compressed into a mosaic of humanity. Central figure stands before what reads as a wall of compressed crowd. Complex and slightly overwhelming. Unlike any other background in this range.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, fragmented figurative forms packed into a layered crowd, cool-toned with gold accents
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, dramatic jagged mountain forms in cool gestural strokes framing a warmly painted subject
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, rich textured paint surface, loose energetic strokes in warm plum and blue throughout
Deep crimson and burgundy geometric planes sweep through the background in large bold angular forms. Figure rendered in pale white-grey tones against the rich red surround. Dramatic and saturated — the red commands the image. Architectural but warm-blooded.
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, with angular burgundy forms and pale sculptural figure work