Cool blue and lavender with rounded stone forms in the background. Softer and more organic than it first appears. The palette runs from ice blue to soft purple.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in cool blues and lavender with smooth, rounded stone forms
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Cool blue-grey stone block architecture fills the background with arched recesses and layered masonry. The figure is warm-toned against a cool structured surround. Painterly and grounded with a classical architectural presence.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in painterly oils with warm figure against cool classical stonework
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in cool grey tones with glowing teal-cyan contour lines
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in warm cream and blush tones with tall flowing organic shapes and woven texture
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in warm ivory tones with ghosted figures drifting through the background
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pure black ground with shattered mirror or glass fragments flying outward from the figure in cool silver-white. Figure stands at the centre of the explosion in pale silver tones. Cinematic and high contrast — one of the most dramatically distinctive styles in the set.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in explosive silver-white shards against pure black, cinematic and high contrast
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in pale blue and cream geometric planes with warm flesh tones