Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in cool grey tones with swirling marks and ghostly layered faces
Cool green-grey with rounded boulder-like forms in the background. Similar to Aged Plaster but cooler and less weighty. The figure feels embedded in the stone surface.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in cool grey-green with smooth, weathered stone texture
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in warm sandy stone tones with rounded, cobbled texture
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in faceted grey geometric planes, angular and precise
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Warm pink and grey with tall vertical brushstroke forms filling the background. The figure is naturalistically rendered in warm flesh tones against the streaked surround. Soft and painterly with a textured wall-like quality.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, in warm painterly strokes of pink and grey, textured like a plastered wall
Cool blush and cream with a distinctive reptile or snake skin pattern filling the background. Figure merges with the scaled texture in matching pale tones. Organic and quietly exotic. Background generates a consistent cellular pattern rather than abstract forms.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in cool blush and cream with a reptile scale background pattern
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in luminous whites with dark tendril marks and warm flesh tones
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, in warm rose, cream, and ochre impasto with thick generous brushwork
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a partially dressed subject with arms up, eye contact, body canted, lingerie, arms up, statement jewlry, smiling, cropped at the waist, rendered in pale washes with drifting cool and warm fragments on an open white ground