Dissolves the source into pointillist scatter on a pale ground. Warm earth tones of cream rust and burgundy. The figure is readable but barely — features survive as suggestion rather than form.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, pointillist fragmentation in cream and burgundy, form hovering at edge of legibility
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, loose impressionist technique, glowing with pinks, greens, and blues
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, earthy cobblestone surface, figure integrated into rounded relief forms
Warm pinks and rose with large painterly forms flanking the figure. Rich and sensuous. The figure feels present and inhabited.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, inhabited figure amid sweeping rose hues and expressive strokes
Warm grey and pale pink with tall flowing organic forms flanking the figure. The background generates shapes that read as draped fabric or slow-moving flame. Painterly and calm with understated movement throughout.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, painterly calm with draped shapes and slow-moving warm-toned forms
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, painted with broken brushwork, cool palette, figure dissolving into textured ground
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, confident warm figure against a luminous cream field of suggested ghostly forms
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, expressive impasto in blue-grey and ochre-gold, energetic herringbone marks enveloping the subject
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, luminous cubist planes in blue, cream, and confident warm tones
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, thick confident brushwork, cobalt and cream with rounded cloud-like massing
Figure rendered in flat orange-red against a pale grey-cream background of fine-line panelled detail suggesting newsprint or comic strip. Large dark orange-red circular forms sweep in from the sides. Graphic and immediate with a pop art edge.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, in flat graphic pop art style evoking vintage newsprint and comic strip panels
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, traditional bust cropping, architectural mosaic style, figure and ground unified in cool structured geometric planes