Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft ethereal style with phantom presences emerging from pale, diffused grounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft tactile stonework with embedded, sculpted depth
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, large smooth rock shapes receding behind a foregrounded figure
Cool grey with ghostly watching faces filling the background. Unsettling and distinctive. Similar to Ghost Crowd but painterly rather than graphic.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft painterly grey palette with haunting watching faces emerging from the background
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, monochrome cubist facets, figure and ground merged in cool grey
Cool blue-grey stone block architecture fills the background with arched recesses and layered masonry. The figure is warm-toned against a cool structured surround. Painterly and grounded with a classical architectural presence.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft brushwork evoking Renaissance masonry in muted blue-grey and warm flesh tones
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, flanked by tall dark forms, naturalistic figure in earthy warmth against structured stone
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered naturalistically in warm flesh tones against sculpted pale drapery
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, layered with calligraphic blue-grey inscriptions beneath warm figurative passages
Warm flesh and terracotta tones with ghosted figurative forms flanking the central figure. Background generates a crowd of pale sculptural presences in warm clay and soft blue. Painterly and classical in register. Figure stands before what feels like an audience of forms.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painterly classical style with pale sculptural crowd forms in soft blue and ochre
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, built from scattered shards of warm yellow, teal, and blue with airy white space