Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in warm earth tones with painterly classical technique
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, in warm painterly tones against cool grey-blue stone
Dark ground with dense organic cellular forms in muted pinks and greys. The pattern fills the space completely. The figure pushes through but the surface competes.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in dense cellular texture with muted pink and grey tones on dark ground
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in soft painterly greys with sculptural stone textures
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in warm impasto strokes of muted gold, blue, and pink
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in faceted grey geometric planes, angular and precise
Warm grey and pale pink with tall flowing organic forms flanking the figure. The background generates shapes that read as draped fabric or slow-moving flame. Painterly and calm with understated movement throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in warm grey and blush pink with soft painterly strokes
Cool silver-grey throughout with large smooth stone forms flanking the figure. Painterly and restrained with strong tonal modelling. The figure reads as a considered monochrome study in cool light.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in cool silver-grey tones with smooth sculptural forms and painterly restraint
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in cool grey and blue-white angular stone planes, precise and architectural
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in warm rose and crimson with swirling figurative forms and ghosted shadow presences
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in bold, unified brushwork of cool blue-grey and white
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, rendered in swirling dark marble veining against a pale luminous ground