Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in cool grey tones with soft rounded boulder forms
Bold fragmented patches of orange yellow red and blue fill the entire image. The figure is absorbed into pure colour energy with no background visible. Wildly energetic and immediate — one of the most saturated styles in the set.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in bold fragmented color patches of orange, yellow, red, and blue
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in bold ink outline and flat rose-pink shadow fills against pale grey
Deep warm brown with large rounded forms generating ghostly face-like shapes in the background. The figure stands before a surround of watching presences under a rounded arch. Dark and atmospheric with an unsettling warmth.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in deep umber tones with looming rounded forms suggesting shadowed faces
Cool blue-purple ground with fragmented cream and gold shapes behind a confident figure. Background generates a broken tile or stained glass quality. Bold and slightly psychedelic in register. Figure holds coherence against the fractured surround.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in fractured blue-violet and gold, like shattered stained glass
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in luminous sky blues with billowing rounded cloud forms in white and pale blue
Cream sand and dark charcoal in large irregular mosaic pieces — Roman floor tile or unearthed archaeological surface. Figure integrates into the mosaic ground. Neutral and substantial rather than energetic. Background has a genuinely ancient and excavated quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in cream and charcoal mosaic tessellations evoking Roman floor tile
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Warm ochre tan and mauve-rose rock forms fill the background in loose painterly strokes with teal-green shadow accents. Figure rendered in warm flesh tones that merge naturally with the sun-baked surround. Dusty and warm — the palette of old stone walls in strong afternoon light.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted in sun-warmed ochre and mauve, with teal shadows and loose expressive brushwork
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Deep navy border framing fractured rock-like forms in cool blue-grey and white with vivid scarlet accents. Figure painted in warm flesh tones with red shoes that match the mood exactly. Bold and theatrical — this style turns everything up.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in dramatic navy and scarlet with fractured, sculptural brushwork