Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, cool-toned stone backdrop of rounded boulders, figure distinct in front
Fine crosshatch and contour lines on a warm ground with geometric forms in the background. Detailed and energetic. The lines map the figure with conviction.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, detailed ink hatching on warm ground, geometric forms receding behind the figure
Warm sandy terracotta with a fine grain texture throughout. The background generates large soft white rounded forms that billow behind the figure. Warm and tactile with an unusual contrast between earthy ground and pale sculptural surround.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, fine-grained terracotta palette with rounded ivory shapes emerging from a warm matte surface
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, warm palette pop-art style with tiled figure reflections filling the background
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, pale, structural rendering with angular faceted planes and sharp geometric precision
Pale blue and cream ground with bold sweeping dark ribbon-like forms cutting through the background. Figure is warm and confident against the dynamic surround. Brushwork is muscular and fluid — the background has genuine movement and force. Energetic and painterly.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, energetic painterly style, warm figure against surging dark ribbons on blue-cream ground
Deep cobalt blue organic forms and warm cream masses fill the background in bold painterly strokes. Figure rendered in warm flesh tones against the strong blue and cream surround. The blue forms have genuine weight and presence — geological and imposing. Blue border frames the composition.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, in an expressive style with weighty geological blues and warm organic forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, organic botanical style, pale open surround with loose dark linear marks
Entire surface broken into large irregular polygonal planes in cream warm white taupe and soft brown with dark contour lines defining each fragment. Figure fully integrated into the pale fragmentation. Clean graphic and architectural like a stained glass window drained of colour.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, broken into clean geometric shards of white, taupe, and soft brown with bold contour lines
Pale warm peach ground with massive sweeping black forms rendered in bold gestural marks at cave-painting scale. Figure painted naturalistically and relatively small against the dominant primitive marks. Raw and monumental.
Portrait of nude subject making eye contact, face and body square to the canvas, statement jewlry, traditional bust cropping, sweeping cave-painting gestures in black on warm peach, naturalistic figure dwarfed by raw marks