Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in warm sandy stone tones with rounded, cobbled texture
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Warm golden-ochre with tall dark ornate column forms flanking the figure. The figure is rendered in luminous warm tones against the architectural surround. Rich and structured with a classical grandeur.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, painted in warm ochre and gold tones with ornate classical columns
Deep warm brown with large rounded forms generating ghostly face-like shapes in the background. The figure stands before a surround of watching presences under a rounded arch. Dark and atmospheric with an unsettling warmth.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in deep umber tones with looming rounded forms suggesting shadowed faces
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Warm coral mauve yellow and soft blue in rounded organic fragmented planes. Background generates large abstract sculptural forms in a rich mixed palette. Figure holds coherence against the colourful surround. Energetic and warm — vivid without the intensity of hotter styles.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in warm coral, mauve, and soft blue fragmented planes with sculptural depth
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in warm rose and crimson with swirling figurative forms and ghosted shadow presences
Cool blue taupe and gold with a dense packed background of fragmented figurative forms — faces and figures compressed into a mosaic of humanity. Central figure stands before what reads as a wall of compressed crowd. Complex and slightly overwhelming. Unlike any other background in this range.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in cool blue, taupe, and gold with a dense mosaic of compressed faces and figures
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in thick impasto with cobalt depths and explosive golden light
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in thick impasto with rounded organic forms in cream, gold, and soft teal-grey
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice