Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in warm cream and blush tones with tall flowing organic shapes and woven texture
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, in bold ink outline and flat rose-pink shadow fills against pale grey
Cool blue and white vertical streaks dissolve the background into a waterfall or melt effect. Warm figure stands confidently against the cool dissolution. Brushwork is loose and expressive rather than geometric. Strong temperature contrast between figure and ground.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in loose brushstrokes with cool blue-white streaks cascading behind a warm central figure
Warm flesh and terracotta tones with ghosted figurative forms flanking the central figure. Background generates a crowd of pale sculptural presences in warm clay and soft blue. Painterly and classical in register. Figure stands before what feels like an audience of forms.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in warm terracotta and clay tones with ghosted figurative presences
Warm rose salmon and pale blue with tall vertical draped forms flanking the figure — fabric-like curtains in soft warm tones. Figure merges with the vertical surround in matching warm flesh. Cool blue edges frame the composition. Elegant and quietly theatrical.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in warm rose and pale blue with draped vertical forms and soft theatrical elegance
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in pale cream and warm rose with stippled newsprint texture
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in thick impasto with plum-mauve and cool blue, brushwork unifying figure and ground
Deep crimson and burgundy geometric planes sweep through the background in large bold angular forms. Figure rendered in pale white-grey tones against the rich red surround. Dramatic and saturated — the red commands the image. Architectural but warm-blooded.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, in bold geometric planes of deep crimson and cool grey
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, in warm rose, cream, and ochre impasto with thick generous brushwork
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground
Dense broken-colour fragments across the entire surface. Cool cobalt and mid-blue dominate with warm cream and peach pulsing through. Figure and ground built from the same mosaic planes. Vibrant and immediate.
Portrait of partially dressed subject with averted eyes, body from the side, lingerie, tight cropping, rendered in a vibrant mosaic of cool blues and warm creams, figure and ground unified