Abstract impressionist nude artwork — Portrait 1596 rendered across multiple artistic styles.
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in warm sandy stone tones with rounded, cobbled texture
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in fractured geometric planes of cool blue, crystalline and sharp
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in cool grey tones with glowing teal-cyan contour lines
Warm golden flesh tones rendered in loose confident brushwork. Background generates sun-warmed rocky outcrops in tawny ochre with cool blue-grey water or shadow. Painterly and Mediterranean in feel. Figure and stone share the same warm light.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, in sun-drenched Mediterranean oils with golden skin and tawny ochre rocks
Cool blue-purple ground with fragmented cream and gold shapes behind a confident figure. Background generates a broken tile or stained glass quality. Bold and slightly psychedelic in register. Figure holds coherence against the fractured surround.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in fractured blue-violet and gold, like shattered stained glass
Near-white ground with delicate coloured pencil-like lines and scattered colour accents in pale yellow blush and red. Figure has a light fashion illustration quality. Background generates soft cloud-like forms at the edges. Airy and playful — one of the lightest styles in this range.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in delicate coloured pencil lines with pale yellow, blush, and red accents on near-white ground
Dusty rose taupe and cream in large swooping curved geometric planes — the warm counterpart to Teal and Ice. Figure integrates into the geometry in matching warm tones. Soft and unified with the same elegant geometric confidence. Warm and immediately inviting.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, in warm dusty rose, taupe, and cream geometric planes with elegant swooping curves
Deep cobalt blue organic forms and warm cream masses fill the background in bold painterly strokes. Figure rendered in warm flesh tones against the strong blue and cream surround. The blue forms have genuine weight and presence — geological and imposing. Blue border frames the composition.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, in a bold painterly style with deep cobalt and warm cream strokes
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in thick impasto oils with swirling brocade florals in warm cream and flesh tones
Warm brown-ochre surround with elaborate white marble sculptural forms filling the background — baroque fountain or ornate palace relief with faces and figures visible in the carved masses. Figure stands in warm flesh tones against the opulent white marble. Grand and slightly overwhelming.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in warm ochre tones against elaborate white baroque marble relief
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, cropped at the waist, in a graphic style with warm figure against a cool stone-textured ground