Dissolves the source into pointillist scatter on a pale ground. Warm earth tones of cream rust and burgundy. The figure is readable but barely — features survive as suggestion rather than form.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, pointillist fragmentation in cream and burgundy, form hovering at edge of legibility
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, powerful dark-ground graphite technique with bold gestural strokes
Rich reds and pinks with bold impressionist brushwork filling the background. Warm and painterly. The figure stands in a field of colour energy.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, against a field of energetic impressionist colour in deep reds and pink
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, painterly style with muted greys and large sculptural background forms
Warm pinks and rose with large painterly forms flanking the figure. Rich and sensuous. The figure feels present and inhabited.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, inhabited figure amid sweeping rose hues and expressive strokes
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, gestural impasto painting, organic forms emerging from unified brushwork in mauve and blue
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, organic botanical style, pale open surround with loose dark linear marks
Deep navy border framing fractured rock-like forms in cool blue-grey and white with vivid scarlet accents. Figure painted in warm flesh tones with red shoes that match the mood exactly. Bold and theatrical — this style turns everything up.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, painted with intense contrast, warm flesh tones against deep navy framing
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, luminous cubist planes in blue, cream, and confident warm tones
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, executed in urgent expressionist strokes, flesh and ground merging in volcanic color
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the waist, in a crisp graphic style, warm tones contrasting a cool grey-white stone wall