Dark grey with cave-like grotto forms in the background. Hints of pink and mauve bleed through the stone texture. Cooler and moodier than Cool Slate.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, deep charcoal grotto atmosphere, cool and brooding with blushes of mauve
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, powerful dark-ground graphite technique with bold gestural strokes
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, loose impressionist technique, glowing with pinks, greens, and blues
Bold red and white with organic sculptural forms surrounding the figure. The red bleeds into white rather than filling hard shapes. Dramatic and immediate.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, bold two-tone red and white, fluid sculptural masses dissolving at their edges
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, painterly style with muted greys and large sculptural background forms
Pale warm plaster with dark ornate architectural forms flanking the figure. The background reads as a classical interior with worn columns or pilasters. Painterly and warm with a genuinely historical quality.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, historic oil painting quality with flanking architectural ornament and warm hues
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, quietly decorative style with fluid organic motifs in terracotta against a near-white surround
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, gestural impasto painting, organic forms emerging from unified brushwork in mauve and blue
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, organic botanical style, pale open surround with loose dark linear marks
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, in a lush impasto style where figure and ground share equal painterly mass and warm flesh tones
Large angular planes in white pale grey dusty rose and muted burgundy sweep diagonally across a predominantly white ground like torn or peeling layers of paper. Figure integrated into the fractured pale surface. Light open and architecturally spare.
Portrait of a subject eyed averted with arms behind, lingerie, arms behind, subtle jewelry, cropped at the hip, architecturally spare, torn-paper forms in pale, muted tones