Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, loose impressionist technique, glowing with pinks, greens, and blues
Bold red and white with organic sculptural forms surrounding the figure. The red bleeds into white rather than filling hard shapes. Dramatic and immediate.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, bold two-tone red and white, fluid sculptural masses dissolving at their edges
Dense rose and burgundy cellular forms fill the background with rich impasto texture. Warm and absorbing. The figure emerges from a surface of genuine depth.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, dense painterly surface of rose and burgundy with absorbing tactile depth
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, retrieved from deteriorating parchment, sepia-toned with torn-edge shadow forms
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, painterly and atmospheric, soft forms dissolving into an open, ghostly white and grey surround
Pale warm plaster with dark ornate architectural forms flanking the figure. The background reads as a classical interior with worn columns or pilasters. Painterly and warm with a genuinely historical quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, historic oil painting quality with flanking architectural ornament and warm hues
Cool lavender and blue-white with loose dark gestural marks swirling through the background. Background generates twisted organic forms — bare branches or smoke in deep blue-charcoal. Figure is pale and quietly confident against the atmospheric surround. Eerie and distinctive.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, atmospheric and eerie, loose gestural marks evoking smoke and bare branches
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, painterly composition with dark border framing and cool sculptural tones
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, clean graphic forms set against structured angular stonework within a classically arched surround
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, organic botanical style, pale open surround with loose dark linear marks
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground
Near-white ground with sparse irregular dark forms in grey-brown and warm taupe scattered at the edges and base. Figure painted in warm flesh tones with precise dark line standing clearly in the open white field. Bright airy and uncluttered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, delicate figure drawing with precise dark line, warm tones, and luminous white space