Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in warm earth tones with painterly classical technique
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in cool blue-grey cubist planes with warm flesh tones as the sole contrast
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large angular planes in white pale grey dusty rose and muted burgundy sweep diagonally across a predominantly white ground like torn or peeling layers of paper. Figure integrated into the fractured pale surface. Light open and architecturally spare.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in angular collage-like planes of pale rose and grey on white
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, arms out, astonished, traditional bust cropping, rendered in bold crimson-rose lines on near-white with graphic fashion illustration confidence