Warm pinks and rose with large painterly forms flanking the figure. Rich and sensuous. The figure feels present and inhabited.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in lush rose tones with bold, gestural brushwork
Soft mauve and dusty pink with large rounded stone forms filling the background. The figure is warm-toned against a cool muted surround. The background generates a gentle grotto of pale organic shapes.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in soft mauve and dusty pink with rounded stone forms and warm-toned figure
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in warm ochre and stone hues with architectural framing
Warm grey and pale pink with tall flowing organic forms flanking the figure. The background generates shapes that read as draped fabric or slow-moving flame. Painterly and calm with understated movement throughout.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in warm grey and blush pink with soft painterly strokes
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in cool grey tones with glowing teal-cyan contour lines
Cool grey with large weathered plaster forms and dark patches filling the background. The figure is warmly rendered against a worn derelict surround. Painterly and atmospheric with a genuine urban quality.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, in cool grey tones with weathered plaster textures and warm painterly brushwork
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Warm peach gold and dusty mauve fragments spiral behind a coherent figure. Background generates strong rotational energy — almost kaleidoscopic. Figure holds while the surroundings dissolve into motion. Energetic and flattering to warm sources.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in swirling peach gold and dusty mauve with kaleidoscopic rotational energy
Warm coral and peach collage fragments arranged in large diamond shapes suggest a torn-up pastel townscape — sun-bleached buildings seen from above or in elevation. Figure stands in front of the fragmented architecture against cool blue gaps. Tactile and sun-warmed.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, in warm coral and peach paper collage with cool blue gaps between torn fragments
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in pale blue and cream geometric planes with warm flesh tones
Large rounded cloud-like forms in white and cool grey fill the background with soft dark contour lines defining the volumes. Figure painted in warm flesh tones with clean precise line standing clearly against the pale airy ground. Gentle sculptural and softly drawn.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, astonished, cropped at the waist, rendered in soft rounded volumes with warm flesh tones against pale cool grey