Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, luminous impressionist style with pale floral tones and delicate brushwork
Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, elegant stone backdrop in cool grey, figure distinctly framed against structured form
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, soft ethereal style with phantom presences emerging from pale, diffused grounds
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, naturalistic figure rendered with sharp presence against painterly pink and mauve boulders
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, bold figure repeated in an ordered grid of warm and cool tones, slightly surreal
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, rendered in raw textural strokes with muted blue-grey and brown tones
Cool blush and cream with a distinctive reptile or snake skin pattern filling the background. Figure merges with the scaled texture in matching pale tones. Organic and quietly exotic. Background generates a consistent cellular pattern rather than abstract forms.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, pale snake skin texture unifies figure and ground in muted rose tones
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, bold rounded forms in pale blue and stone with a warm central figure
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, in cool oceanic blues with rotating organic forms and warm figure contrast
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, painted in hot fauvist tones where figure dissolves into blazing streaked color fields
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the waist, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes