Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, cool white tones, subtle angularity, and warm red highlights evoking inner luminosity
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, loose impressionist technique, glowing with pinks, greens, and blues
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, grounded figurative painting, warm hues on cool stone
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, painterly and atmospheric, soft forms dissolving into an open, ghostly white and grey surround
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, quietly decorative style with fluid organic motifs in terracotta against a near-white surround
Pale blue and cream ground with bold sweeping dark ribbon-like forms cutting through the background. Figure is warm and confident against the dynamic surround. Brushwork is muscular and fluid — the background has genuine movement and force. Energetic and painterly.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, energetic painterly style, warm figure against surging dark ribbons on blue-cream ground
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, muted watercolour ground with dark looming corners and blush accents
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, organic botanical style, pale open surround with loose dark linear marks
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, luminous cubist planes in blue, cream, and confident warm tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, smiling, cropped at the waist, in a crisp graphic style, warm tones contrasting a cool grey-white stone wall