Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in cool grey tones with architectural marble framing the composition
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Warm red-ochre watercolour wash on pale ground. Loose and gestural. The figure feels sketched in colour rather than drawn in line.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, painted in loose watercolor washes of red-ochre on pale ground
Deep teal-blue flanking forms cradle a pale billowing centre with the figure rendered in warm flesh tones. The contrast between cool surround and luminous centre gives the image a soft dream-like quality. Painterly and immediate with a cinematic warmth.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in painterly teal and warm flesh tones with a luminous, dreaming centre
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Warm peach gold and dusty mauve fragments spiral behind a coherent figure. Background generates strong rotational energy — almost kaleidoscopic. Figure holds while the surroundings dissolve into motion. Energetic and flattering to warm sources.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in swirling peach gold and dusty mauve with kaleidoscopic rotational energy
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in cool grey and blue-white angular stone planes, precise and architectural
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in swirling teal and blue with fluid vortex energy and a dark framing border
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in thick impasto with rounded organic forms in cream, gold, and soft teal-grey
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject with averted eyes, facing downward, body from the side, subtle jewelry, traditional bust cropping, rendered in pale blue and cream geometric planes with warm flesh tones