Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, loose impressionist technique, glowing with pinks, greens, and blues
Cool grey-brown with tall dark arched panels flanking the figure. The panels carry circular rivet-like forms giving the background a strong industrial character. Stark and architectural with a mechanical edge.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, cool grey-brown tones, tall riveted panels, stark geometric industrial aesthetic
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, naturalistic figure contrasted with sharp geometric blue-violet crystal facets
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, oil-painted realism with jagged stone textures, cool grey palette warmed by natural flesh tones
Warm flesh tones throughout with ghostly repeated figure forms filling the background in the same skin palette. The repeated forms generate odd fleshy appendages around the central figure. Distinctive and slightly unsettling.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, warm carnate hues, duplicated forms bleeding into strange organic shapes around the subject
Dusty mauve-grey stone texture absorbs the figure into the surface. Body reads as shallow relief rather than figure against background. Cool and permanent — the source becomes architecture.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, monolithic grey-pink surface, body fused with architectural weight
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, clean graphic forms set against structured angular stonework within a classically arched surround
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, in a romantic painterly style with abstract roses, cool crystal tones, and luminous warmth
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, organic botanical style, pale open surround with loose dark linear marks
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of a subject eyed averted with arms behind, nude, arms behind, cropped at the hip, in a crisp graphic style, warm tones contrasting a cool grey-white stone wall