Dissolves the source into pointillist scatter on a pale ground. Warm earth tones of cream rust and burgundy. The figure is readable but barely — features survive as suggestion rather than form.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, pointillist fragmentation in cream and burgundy, form hovering at edge of legibility
Bold colour blocks in yellow blue grey and red fill the entire image. The figure reads through the grid rather than in front of it. Energetic and immediate.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, vivid primary blocks locked in a charged graphic grid
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, loose impressionist technique, glowing with pinks, greens, and blues
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Dark background with sharp angular metallic planes cutting across the figure. The figure appears rendered in crumpled foil. Cold and industrial.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, geometric metal shards catching harsh light on a dark ground
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painterly realism with warm amber flesh, dark flanking architecture, grounded monumentality
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, warm palette pop-art style with tiled figure reflections filling the background
Near-white ground with cool blue outline marks describing figure and background in the same delicate line. Rounded organic forms in the background share the same blueprint-like character. Minimal and elegant — the figure exists as cool blue drawing on white. Light and immediately distinctive.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, cool blue drafting lines on white ground, rounded organic forms, airy and spare
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, muted watercolour ground with dark looming corners and blush accents
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, organic botanical style, pale open surround with loose dark linear marks
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground