Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Cool grey with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft textured surround. Tactile and grounded with a consistent organic character.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painted in warm flesh tones against soft cool-grey cloudlike forms
Tall pale vertical forms in warm white and soft pink fill the background. The figure reads through the draped structure with warm flesh tones. Light and airy with a gentle architectural rhythm.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in soft pink and warm white with airy architectural verticality
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, in a loose painterly style with chunky brushwork and cool blue-grey tones
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in cool grey and blue-white angular stone planes, precise and architectural
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Deep crimson and burgundy geometric planes sweep through the background in large bold angular forms. Figure rendered in pale white-grey tones against the rich red surround. Dramatic and saturated — the red commands the image. Architectural but warm-blooded.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, in bold geometric planes of deep crimson and cool grey
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in thick impasto oils with swirling brocade florals in warm cream and flesh tones
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, in a graphic style with warm figure against a cool stone-textured ground