Warm pink and grey with flowing organic forms in the background. Soft and painterly. The figure feels at ease in a gentle decorative surround.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, warm pastel palette with organic swirling forms and gentle textural depth
Deep burnt orange and amber flanking forms cradle a cool white figure. The background generates warm flame-like shapes that contrast sharply with the pale painterly rendering of the figure. Vivid and energetic with strong colour drama.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, bold warm flame tones surrounding a cool pale painted form
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, bold cyan outline glowing against soft grey painterly forms
Bold mixed impasto strokes in grey pink mauve and ochre fill the background with painterly energy. The figure rides a richly worked surface of broken colour. Lively and immediate with a full warm-cool palette.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, painted with broken colour and lively warm-cool contrasts
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, rendered in raw textural strokes with muted blue-grey and brown tones
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, pale swirling ground with vivid scattered colour and warm rounded forms
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, fragmented through crystalline geometric forms in earthy tones, structural and monumental
Cool ashen blue-grey forms churn through the background in loose gestural marks — chaotic and atmospheric. Figure painted in warm flesh tones against the turbulent cool surround. The background energy dwarfs the figure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, rendered in turbulent cool greys with expressive marks overwhelming a small warm figure
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, rendered in muted autumnal tones with abundant rounded forms in heavy paint
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, angular blocks of cool light and warm figure, bright and airy
Large irregular dots in deep navy and black arranged in a diagonal diamond lattice across a pale cream ground. Figure reads through the bold dot pattern partially absorbed into the graphic surface. Cool and textile-like with the authority of a strong repeat pattern.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, in deep navy and black dot grid with cool, structured surface rhythm
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, traditional bust cropping, bold fluid shadows frame a warmly lit central figure with cool blue accents