Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, in bold red and white geometric planes with black outlines and cubist fragmentation
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in warm earth tones with painterly classical technique
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Dark blue-grey ground with large pale peach and cream cloud-like forms rising behind the figure. The figure is warmly rendered in flesh tones against the cool dark surround. Painterly and dramatic with a strong light-dark contrast.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, painterly chiaroscuro with warm flesh tones against deep blue-grey shadow
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in bold mosaic-like fragments of gold, ochre, and cobalt on white
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, traditional bust cropping, rendered in bold crimson-rose lines on near-white with graphic fashion illustration confidence