Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in cool grey and blue-white angular stone planes, precise and architectural
Deep teal and pale ice blue in large swooping curved geometric planes. Figure integrates into the geometry in matching teal tones — bold and unified. Confident and striking — one of the more elegant geometric styles in this range. Cool and immediately commanding.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in bold sweeping geometric planes of deep teal and ice blue
Dusty rose taupe and cream in large swooping curved geometric planes — the warm counterpart to Teal and Ice. Figure integrates into the geometry in matching warm tones. Soft and unified with the same elegant geometric confidence. Warm and immediately inviting.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, in warm dusty rose, taupe, and cream geometric planes with elegant swooping curves
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in creamy marble tones with bold red, blue, and gold splashes
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, rendered in thick impasto oils with swirling brocade florals in warm cream and flesh tones
Rich teal-green ground with large flowing organic planes in pale cream and white sweeping around the figure like unfurling tropical leaves or petals. Deep teal shadows define the forms. Figure painted in warm flesh tones against the cool botanical ground. Fluid and lush.
Portrait of nude subject with averted eyes, facing aside, body from the side, very tight cropping, in a lush tropical palette of teal, cream, and warm flesh tones