Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, painted in soft impressionist strokes of blush, sage, and sky
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in cool grey tones with soft rounded boulder forms
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in warm ochre and stone hues with architectural framing
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in cool grey tones with glowing teal-cyan contour lines
Cool grey with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft textured surround. Tactile and grounded with a consistent organic character.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, painted in warm flesh tones against soft cool-grey cloudlike forms
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, in warm cream and pale blue with flowing classical drapery
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in cool blue and cream tones with tall pale monolithic forms
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in pale blue and cream geometric planes with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice