Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in warm earth tones with painterly classical technique
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in warm gold halftone dots with bold white cutout shapes
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in warm cream and blush tones with tall flowing organic shapes and woven texture
Dusty rose taupe and cream in large swooping curved geometric planes — the warm counterpart to Teal and Ice. Figure integrates into the geometry in matching warm tones. Soft and unified with the same elegant geometric confidence. Warm and immediately inviting.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, in warm dusty rose, taupe, and cream geometric planes with elegant swooping curves
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in moody oils with glowing pale stone against deep charcoal and purple
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Deep navy border framing fractured rock-like forms in cool blue-grey and white with vivid scarlet accents. Figure painted in warm flesh tones with red shoes that match the mood exactly. Bold and theatrical — this style turns everything up.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in dramatic navy and scarlet with fractured, sculptural brushwork
Cool teal-green and blue-grey background in loose broken brushwork with warm golden flesh tones glowing at the centre. The contrast between sunlit figure and cool watery surround is the defining quality. Luminous and flattering — one of the more beautiful colour combinations in the set.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, painted in luminous teal and gold with expressive broken brushwork
Pale white and cool grey central forms flanked by deep burnt orange-red on both sides — bleached columns between dark ember wings. Figure stands in the pale central zone against the dramatic warm surround. High contrast and architectural — cool centre held between walls of fire.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in stark contrast with cool pale centre flanked by deep burnt orange-red wings
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, traditional bust cropping, rendered in vivid cerulean blue with monumental sculptural forms in pale grey-taupe