Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, high-contrast charcoal style with expressive storm-like mark-making
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, luminous impressionist style with pale floral tones and delicate brushwork
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, loose painterly grid of blue and yellow with energetic graphic presence
Cool blue-grey stone block architecture fills the background with arched recesses and layered masonry. The figure is warm-toned against a cool structured surround. Painterly and grounded with a classical architectural presence.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, soft brushwork evoking Renaissance masonry in muted blue-grey and warm flesh tones
Dark blue-grey ground with large pale peach and cream cloud-like forms rising behind the figure. The figure is warmly rendered in flesh tones against the cool dark surround. Painterly and dramatic with a strong light-dark contrast.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, dramatic tonal contrast, pale cloud forms rising from a cool dark ground
Warm peach gold and dusty mauve fragments spiral behind a coherent figure. Background generates strong rotational energy — almost kaleidoscopic. Figure holds while the surroundings dissolve into motion. Energetic and flattering to warm sources.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, bold spiral fragments of warm peach and mauve dissolve dynamically around a steady figure
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, clean graphic figure against fractured stone-like angular planes in pale grey tones
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, pale swirling ground with vivid scattered colour and warm rounded forms
Cool cream and white ground with strong vertical streaks in deep blue-grey and teal that read like frozen cascades or dripping ice. Figure rendered in the same cool palette with deep shadow and quiet intensity. Large dark organic forms flank the composition like drawn curtains.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted in an icy teal and white palette with dramatic dripping brushwork
Bold diagonal planes in rust and white sweep across the entire composition with cool blue-grey accents. Figure fully integrated into the angular fragmentation — legs torso and ground all cut by the same decisive geometry. Flat graphic and industrial in tone.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, flat geometric fragmentation in industrial rust and cool grey tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in dense, energetic strokes that merge figure and ground in silvery blue
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted with precise crystalline geometry in cool white and warm flesh tones