Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, light airy composition with geometric background forms and glowing inner radiance
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, luminous impressionist style with pale floral tones and delicate brushwork
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft ethereal style with phantom presences emerging from pale, diffused grounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft tactile stonework with embedded, sculpted depth
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, loose painterly grid of blue and yellow with energetic graphic presence
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, flanked by tall dark forms, naturalistic figure in earthy warmth against structured stone
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, warmly rendered figure against a ghostly, dreamy expanse of cool muted tones
Pale warm plaster with dark ornate architectural forms flanking the figure. The background reads as a classical interior with worn columns or pilasters. Painterly and warm with a genuinely historical quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painterly classical interior with worn columns and aged warm palette
Cool cerulean blue and cream in large flat geometric planes. Figure is warm against the cool blue geometry — a clean warm-cool contrast. Elegant and graphic rather than sensuous. Background generates smooth rounded geometric forms in deep and pale blue.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, bold flat geometry in deep and pale blue, warm figure against cool graphic forms
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, dramatic jagged mountain forms in cool gestural strokes framing a warmly painted subject
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painted with precise crystalline geometry in cool white and warm flesh tones