Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Pale blue and grey with dark swirling organic forms flanking the figure and a warm yellow border. Lyrical and flowing. The figure floats in the style rather than sitting on it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in pale blue and grey with dark swirling organic forms and a warm golden border
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in faceted grey geometric planes, angular and precise
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in cool grey tones with glowing teal-cyan contour lines
Near-white ground with delicate coloured pencil-like lines and scattered colour accents in pale yellow blush and red. Figure has a light fashion illustration quality. Background generates soft cloud-like forms at the edges. Airy and playful — one of the lightest styles in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in delicate coloured pencil lines with pale yellow, blush, and red accents on near-white ground
Bright teal blue white and red in large fluid abstract shapes surrounding the figure. Background feels restless and unanchored — forms drift without fully resolving. Figure holds coherence against the scattered surround. Energetic but loose — works best with strong confident sources.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in bold teal, red, and white abstract shapes with fluid restless energy
Near-white ground with cool blue outline marks describing figure and background in the same delicate line. Rounded organic forms in the background share the same blueprint-like character. Minimal and elegant — the figure exists as cool blue drawing on white. Light and immediately distinctive.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in delicate cool blue line on near-white, minimal and elegant
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pure black ground with shattered mirror or glass fragments flying outward from the figure in cool silver-white. Figure stands at the centre of the explosion in pale silver tones. Cinematic and high contrast — one of the most dramatically distinctive styles in the set.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in explosive silver-white shards against pure black, cinematic and high contrast
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in explosive gestural brushwork with saturated drips bleeding through molten ground
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, statement jewlry, smiling, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice