Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in angular red color planes with cubist geometry
Pale lavender and grey with bold sweeping ribbon-like forms in the background. Soft but dynamic. The figure stands in a swirl of delicate movement.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in pale lavender and grey with bold sweeping ribbon-like forms
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, painted in warm flesh tones set against cool grey fractured stone, naturalistic and raw
Deep warm brown with large rounded forms generating ghostly face-like shapes in the background. The figure stands before a surround of watching presences under a rounded arch. Dark and atmospheric with an unsettling warmth.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in deep umber tones with looming rounded forms suggesting shadowed faces
Pale white and cool grey-green ground shattered into large angular planes by bold dark outlines. Figure described in confident contour with minimal interior rendering. Background generates broken geometric shapes like fractured ice. Clean and immediate with strong graphic authority.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in angular planes of pale white and cool grey-green divided by bold dark outlines
Bright teal blue white and red in large fluid abstract shapes surrounding the figure. Background feels restless and unanchored — forms drift without fully resolving. Figure holds coherence against the scattered surround. Energetic but loose — works best with strong confident sources.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in bold teal, red, and white abstract shapes with fluid restless energy
Dusty rose taupe and cream in large swooping curved geometric planes — the warm counterpart to Teal and Ice. Figure integrates into the geometry in matching warm tones. Soft and unified with the same elegant geometric confidence. Warm and immediately inviting.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, in warm dusty rose, taupe, and cream geometric planes with elegant swooping curves
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in creamy marble tones with bold red, blue, and gold splashes
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Deep navy border framing fractured rock-like forms in cool blue-grey and white with vivid scarlet accents. Figure painted in warm flesh tones with red shoes that match the mood exactly. Bold and theatrical — this style turns everything up.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in dramatic navy and scarlet with fractured, sculptural brushwork
Bold flat colour planes in warm ochre rust and cool blue-grey with fragmented figures packed into every corner of the background. Borrowed cubist vocabulary deployed with cheerful abundance. Energetic and slightly chaotic — Picasso at the five-and-dime.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in bold flat planes of ochre, rust, and blue-grey with cubist fragmentation
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice