Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in stark black and white with bold architectural shadows
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in warm flesh tones against cool architectural grey, painterly and monumental
Cool blue-purple ground with fragmented cream and gold shapes behind a confident figure. Background generates a broken tile or stained glass quality. Bold and slightly psychedelic in register. Figure holds coherence against the fractured surround.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in fractured blue-violet and gold, like shattered stained glass
Dusty rose taupe and cream in large swooping curved geometric planes — the warm counterpart to Teal and Ice. Figure integrates into the geometry in matching warm tones. Soft and unified with the same elegant geometric confidence. Warm and immediately inviting.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, in warm dusty rose, taupe, and cream geometric planes with elegant swooping curves
Cool ashen blue-grey forms churn through the background in loose gestural marks — chaotic and atmospheric. Figure painted in warm flesh tones against the turbulent cool surround. The background energy dwarfs the figure.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, in loose gestural brushwork with cool ashen blues swirling around warm flesh tones
Cool teal-green and blue-grey background in loose broken brushwork with warm golden flesh tones glowing at the centre. The contrast between sunlit figure and cool watery surround is the defining quality. Luminous and flattering — one of the more beautiful colour combinations in the set.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, painted in luminous teal and gold with expressive broken brushwork
Pale white and cool grey central forms flanked by deep burnt orange-red on both sides — bleached columns between dark ember wings. Figure stands in the pale central zone against the dramatic warm surround. High contrast and architectural — cool centre held between walls of fire.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in stark contrast with cool pale centre flanked by deep burnt orange-red wings
Large irregular fragments of cobalt cream deep red and teal burst outward from the figure like a shattered wall fresco. Figure painted in warm terracotta and flesh planes with the same impasto weight as the ground. The whole surface feels ceramic and substantial.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, in a shattered fresco style with heavy impasto and ceramic-weight paint
Bold diagonal planes in rust and white sweep across the entire composition with cool blue-grey accents. Figure fully integrated into the angular fragmentation — legs torso and ground all cut by the same decisive geometry. Flat graphic and industrial in tone.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in bold angular planes of rust, white, and steel blue