Warm pink and grey with flowing organic forms in the background. Soft and painterly. The figure feels at ease in a gentle decorative surround.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in soft pink and grey tones with fluid painterly brushwork
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, in pale white and cool grey, soft organic forms emerging from an atmospheric painterly ground
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in warm cream and blush tones with tall flowing organic shapes and woven texture
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in soft pointillist strokes of cream and mauve-blue that bleed into luminous clouds
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Warm orange and tangerine pointillist dots build the entire image in distinct playful colour marks. Background generates soft vertical forms in the same technique. Festive and sun-warmed — the orange dominates and lifts everything.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in warm orange pointillist dots with a sun-drenched, festive glow
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, in warm rose, cream, and ochre impasto with thick generous brushwork
Large irregular fragments of cobalt cream deep red and teal burst outward from the figure like a shattered wall fresco. Figure painted in warm terracotta and flesh planes with the same impasto weight as the ground. The whole surface feels ceramic and substantial.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, in a shattered fresco style with heavy impasto and ceramic-weight paint
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, astonished, tight cropping, in a graphic style with warm figure against a cool stone-textured ground