Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, loose impressionist technique, glowing with pinks, greens, and blues
Cool green-grey with rounded boulder-like forms in the background. Similar to Aged Plaster but cooler and less weighty. The figure feels embedded in the stone surface.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, cool celadon plaster finish with sculpted, embedded depth
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, cool-toned stone backdrop of rounded boulders, figure distinct in front
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, painterly style with muted greys and large sculptural background forms
Warm pink and grey with tall vertical brushstroke forms filling the background. The figure is naturalistically rendered in warm flesh tones against the streaked surround. Soft and painterly with a textured wall-like quality.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, soft vertical brushwork in muted rose and grey forms a tactile, wall-like backdrop
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, painterly and atmospheric, soft forms dissolving into an open, ghostly white and grey surround
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, quietly decorative style with fluid organic motifs in terracotta against a near-white surround
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, organic botanical style, pale open surround with loose dark linear marks
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, in a lush impasto style where figure and ground share equal painterly mass and warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the hip, delicate icy facets of blue-grey white and cream against a crushed-paper ground