Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in warm ochre and stone hues with architectural framing
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, in pale white and cool grey, soft organic forms emerging from an atmospheric painterly ground
Dusty mauve-grey stone texture absorbs the figure into the surface. Body reads as shallow relief rather than figure against background. Cool and permanent — the source becomes architecture.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, carved from pale stone, form emerging from ancient grey matter
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in cool grey and blue-white angular stone planes, precise and architectural
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in creamy marble tones with bold red, blue, and gold splashes
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Large angular planes in white pale grey dusty rose and muted burgundy sweep diagonally across a predominantly white ground like torn or peeling layers of paper. Figure integrated into the fractured pale surface. Light open and architecturally spare.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in angular collage-like planes of pale rose and grey on white
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of partially dressed subject making eye contact, body from the side, lingerie, traditional bust cropping, rendered in bold mosaic-like fragments of gold, ochre, and cobalt on white