Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, warm red cubist fragmentation, faceted planes revealing structure
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, high-contrast charcoal style with expressive storm-like mark-making
Warm grey with a rich background of swirling rounded forms. The figure and background share the same sculptural language. Substantial and considered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, soft grey palette, rounded organic shapes merging figure and ground in a considered composition
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, forensic ink linework builds form through layered crosshatching on pale ground
Dark background with sharp angular metallic planes cutting across the figure. The figure appears rendered in crumpled foil. Cold and industrial.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, rendered in crumpled foil with sharp angular planes, cold and stark
Fine crosshatch and contour lines on a warm ground with geometric forms in the background. Detailed and energetic. The lines map the figure with conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, energetic contour and crosshatch linework mapping form with bold conviction
Deep cobalt blue and warm golden-yellow geometric planes fill the entire image. The figure is rendered in the same luminous yellow as the background geometry. Bold and immediate with figure and ground sharing a single warm-cool palette.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, rendered in luminous yellow against deep blue geometric abstraction
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, soft tactile weave of pale pink and cream, organic forms rippling through figure and ground
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, clean graphic figure against fractured stone-like angular planes in pale grey tones
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, silkscreen-like, colour barely arrived, delicate and unresolved
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, painted with sculptural weight, lush brushwork, and a warm palette of cream, gold, and teal
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, rendered with clean outlines and flat pale architectural stonework behind