Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, etching-style crosshatch traces every contour with obsessive, engraving-like intensity
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, cool-toned stone backdrop of rounded boulders, figure distinct in front
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painterly style with muted greys and large sculptural background forms
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, cubist planes of glacial blue splinter the figure into icy geometry
Soft mauve and dusty pink with large rounded stone forms filling the background. The figure is warm-toned against a cool muted surround. The background generates a gentle grotto of pale organic shapes.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, dusty pink and mauve surround of large rounded stone shapes with soft grotto-like depth
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painterly and atmospheric, soft forms dissolving into an open, ghostly white and grey surround
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, oil-painted realism with jagged stone textures, cool grey palette warmed by natural flesh tones
Deep teal-blue flanking forms cradle a pale billowing centre with the figure rendered in warm flesh tones. The contrast between cool surround and luminous centre gives the image a soft dream-like quality. Painterly and immediate with a cinematic warmth.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, soft impressionist contrast of deep teal and radiant warmth, painterly and immediate
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, pale rounded forms catch cool light against dark ground, teal edges shimmering
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, muted watercolour ground with dark looming corners and blush accents
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, luminous cubist planes in blue, cream, and confident warm tones