Rich golds yellows blues and purples in bold vertical painterly forms flanking the figure. Vivid and immediate. The figure stands in a surround of pure colour energy.
Smiling, kind nude portrait in pearls, amid expressive columns of gold, violet, and cobalt painted light
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Smiling, kind nude portrait in pearls, cool-toned stone backdrop of rounded boulders, figure distinct in front
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Smiling, kind nude portrait in pearls, cubist planes of glacial blue splinter the figure into icy geometry
Pale grey and warm brown with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft organic surround. Painterly and warm with a gentle depth to the background.
Smiling, kind nude portrait in pearls, warm browns and pale greys with large rounded forms and softly rendered painterly depth
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Smiling, kind nude portrait in pearls, figure in warm tones emerging from an archaeological ground of text-like markings
Cool mauve rose and blue with diagonal ribbon-like planes filling the background. Figure is warm against the cooler geometric surround. Background generates sweeping angular forms rather than figurative shapes. Painterly but more architectural than Clay Chorus.
Smiling, kind nude portrait in pearls, painterly geometric planes of mauve and blue create an architectural cool-warm contrast
Warm rose salmon and pale blue with tall vertical draped forms flanking the figure — fabric-like curtains in soft warm tones. Figure merges with the vertical surround in matching warm flesh. Cool blue edges frame the composition. Elegant and quietly theatrical.
Smiling, kind nude portrait in pearls, depicted in quietly theatrical drapery, warm vertical forms blending figure and surround
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Smiling, kind nude portrait in pearls, clean graphic forms set against structured angular stonework within a classically arched surround
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Smiling, kind nude portrait in pearls, in textured rose-pink and ochre impasto, figure merging warmly with floral surround
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Smiling, kind nude portrait in pearls, bold fragmented brushwork in warm saturated blues, ochres, and rose
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Smiling, kind nude portrait in pearls, dramatic architectural staging in cerulean blue with pale sculptural presences
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Smiling, kind nude portrait in pearls, in a lush impasto style where figure and ground share equal painterly mass and warm flesh tones