Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Bold red and white with organic sculptural forms surrounding the figure. The red bleeds into white rather than filling hard shapes. Dramatic and immediate.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in bold red and white with bleeding, organic forms and raw sculptural drama
Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in cool grey tones with architectural marble framing the composition
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in soft painterly greys with sculptural stone textures
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in cool blue and cream tones with tall pale monolithic forms
Near-white ground with cool blue outline marks describing figure and background in the same delicate line. Rounded organic forms in the background share the same blueprint-like character. Minimal and elegant — the figure exists as cool blue drawing on white. Light and immediately distinctive.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in delicate cool blue line on near-white, minimal and elegant
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, smiling, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones