Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, loose impressionist technique, glowing with pinks, greens, and blues
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, earthy cobblestone surface, figure integrated into rounded relief forms
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, cool-toned stone backdrop of rounded boulders, figure distinct in front
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, painterly and expressive, thick impasto in soft golds and faded pinks
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, cubist planes of glacial blue splinter the figure into icy geometry
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, soft naturalistic palette of weathered stone with warm confident figure
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, clean megalithic composition of rounded vertical stone forms in pale hues
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, muted watercolour ground with dark looming corners and blush accents
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, luminous cubist planes in blue, cream, and confident warm tones
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, dramatic marbled contrasts with sweeping dark forms and glowing pale center
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground
Rich teal-green ground with large flowing organic planes in pale cream and white sweeping around the figure like unfurling tropical leaves or petals. Deep teal shadows define the forms. Figure painted in warm flesh tones against the cool botanical ground. Fluid and lush.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, statement jewlry, cropped at the hip, painted with sweeping botanical forms in cool teal and warm ivory