Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, warm red cubist fragmentation, faceted planes revealing structure
Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, rendered in stark red, white, and black with forceful angular fragmentation
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, high-contrast charcoal style with expressive storm-like mark-making
Pale ground with bold simplified planes and swirling organic forms in the background. The figure becomes sculptural. Clean and immediate.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, sculptural figure work with clean bold shapes and fluid organic background forms
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, luminous impressionist style with pale floral tones and delicate brushwork
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, eerie repeated figures emerge from shadowy grey backgrounds with expressive gestural marks
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, soft tactile stonework with embedded, sculpted depth
Pale lavender and grey with bold sweeping ribbon-like forms in the background. Soft but dynamic. The figure stands in a swirl of delicate movement.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, soft dynamic strokes in lavender and grey, swirling ribbon shapes in the background
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, shattered ice facets refracting form into cold angular fragments
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, painted with sculptural weight, lush brushwork, and a warm palette of cream, gold, and teal
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, arms out, traditional bust cropping, built from scattered shards of warm yellow, teal, and blue with airy white space