Deep burnt orange and amber flanking forms cradle a cool white figure. The background generates warm flame-like shapes that contrast sharply with the pale painterly rendering of the figure. Vivid and energetic with strong colour drama.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, bold warm flame tones surrounding a cool pale painted form
Warm pink and grey with tall vertical brushstroke forms filling the background. The figure is naturalistically rendered in warm flesh tones against the streaked surround. Soft and painterly with a textured wall-like quality.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, naturalistically rendered in flesh tones against a streaked, brushy pink-grey ground
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, rendered with angular rock forms in cool grey framing warm naturalistic figure painting
Cool blue and white vertical streaks dissolve the background into a waterfall or melt effect. Warm figure stands confidently against the cool dissolution. Brushwork is loose and expressive rather than geometric. Strong temperature contrast between figure and ground.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, expressive melt effect in blues and whites frames a warmly colored confident subject
Warm flesh and terracotta tones with ghosted figurative forms flanking the central figure. Background generates a crowd of pale sculptural presences in warm clay and soft blue. Painterly and classical in register. Figure stands before what feels like an audience of forms.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, painterly classical style with pale sculptural crowd forms in soft blue and ochre
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, warm figure set against ancient standing stones in naturalistic style
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, pale swirling ground with vivid scattered colour and warm rounded forms
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, in cool oceanic blues with rotating organic forms and warm figure contrast
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, cool glowing masses float in near-black space with warm figure contrast
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, clean decisive linework on azure ground, draped forms in elegant dark outline
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of partially dressed subject making eye contact, body canted, lingerie, cropped at the waist, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes