Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Fine crosshatch and contour lines on a warm ground with geometric forms in the background. Detailed and energetic. The lines map the figure with conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in fine crosshatched ink lines over warm-toned paper with geometric backdrop
Dense rose and burgundy cellular forms fill the background with rich impasto texture. Warm and absorbing. The figure emerges from a surface of genuine depth.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in thick impasto strokes of rose and burgundy with cellular depth
Deep burnt orange and amber flanking forms cradle a cool white figure. The background generates warm flame-like shapes that contrast sharply with the pale painterly rendering of the figure. Vivid and energetic with strong colour drama.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, in vivid burnt orange and amber with painterly white figure
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Intense magenta and crimson with rounded organic forms filling the background — oversized blooms or biological shapes in deep hot pink. Figure is pale against the saturated surround. Overwhelming and vivid — one of the hottest palettes in this range. Psychedelic in intensity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in searing magenta and crimson with swelling organic forms
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in luminous whites with dark tendril marks and warm flesh tones
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in cool blue-grey tones with stark white backlighting and sweeping dark forms
Bold diagonal planes in rust and white sweep across the entire composition with cool blue-grey accents. Figure fully integrated into the angular fragmentation — legs torso and ground all cut by the same decisive geometry. Flat graphic and industrial in tone.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, cropped at the waist, rendered in bold angular planes of rust, white, and steel blue