Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, warm red cubist fragmentation, faceted planes revealing structure
Pale ground with bold simplified planes and swirling organic forms in the background. The figure becomes sculptural. Clean and immediate.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, sculptural figure work with clean bold shapes and fluid organic background forms
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, soft ethereal style with phantom presences emerging from pale, diffused grounds
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, high-contrast graphic style, deep shadows framing the composition
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, shattered ice facets refracting form into cold angular fragments
Pale grey and warm brown with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft organic surround. Painterly and warm with a gentle depth to the background.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, naturalistic figure painting with painterly warm tones and gentle organic depth
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, dramatic foil-crush effect with stark black corners and radiating white planes
Deep cobalt blue borders frame a cool interior of angular rock or ice forms in blue and white. Figure is warm against the cold stone surround. Painterly and dramatic rather than photographic. The cobalt frame gives this style a distinctive compositional signature.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, dramatic blue and white stonework framing a warm central figure, painterly
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, rendered in dreamy blue and mauve with crystalline floral forms and glowing warmth
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, angular blocks of cool light and warm figure, bright and airy
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, painted with precise crystalline geometry in cool white and warm flesh tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes