Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in warm earth tones with painterly classical technique
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in bold graphite on dark ground with dramatic sweeping strokes
Pale ground with bold simplified planes and swirling organic forms in the background. The figure becomes sculptural. Clean and immediate.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in bold simplified planes with swirling organic forms on a pale ground
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Cool silver and white impasto on a near-black ground. Bold painterly strokes carve the figure from darkness with monumental conviction. The background generates a deep black void with faint reflected light at the base.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in thick silver and white impasto against near-black, with bold sculptural strokes
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in cool blue and cream tones with tall pale monolithic forms
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in creamy marble tones with bold red, blue, and gold splashes
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Deep crimson and burgundy geometric planes sweep through the background in large bold angular forms. Figure rendered in pale white-grey tones against the rich red surround. Dramatic and saturated — the red commands the image. Architectural but warm-blooded.
Portrait of nude subject with averted eyes, facing aside, body canted, traditional bust cropping, in bold geometric planes of deep crimson and cool grey