Cool blue and lavender with rounded stone forms in the background. Softer and more organic than it first appears. The palette runs from ice blue to soft purple.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in cool blues and lavender with smooth, rounded stone forms
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, painted in soft impressionist strokes of blush, sage, and sky
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Fine crosshatch and contour lines on a warm ground with geometric forms in the background. Detailed and energetic. The lines map the figure with conviction.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in fine crosshatched ink lines over warm-toned paper with geometric backdrop
Warm pinks and rose with large painterly forms flanking the figure. Rich and sensuous. The figure feels present and inhabited.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in lush rose tones with bold, gestural brushwork
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, in warm cream and pale blue with flowing classical drapery
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in luminous whites with dark tendril marks and warm flesh tones
Large angular planes in white pale grey dusty rose and muted burgundy sweep diagonally across a predominantly white ground like torn or peeling layers of paper. Figure integrated into the fractured pale surface. Light open and architecturally spare.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in angular collage-like planes of pale rose and grey on white
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, rendered in pale washes with drifting cool and warm fragments on an open white ground
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the hip, in a graphic style with warm figure against a cool stone-textured ground