Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, bold angular planes in warm reds, cubist faceting of form
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, integrated figure and landscape in warm browns, painterly realism
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, loose impressionist technique, glowing with pinks, greens, and blues
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Deep cobalt blue and warm golden-yellow geometric planes fill the entire image. The figure is rendered in the same luminous yellow as the background geometry. Bold and immediate with figure and ground sharing a single warm-cool palette.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, in a bold warm-cool palette of cobalt and gold geometric forms
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, warm creamy palette, fine textile texture, gentle flowing shapes filling the composition
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, painted with broken brushwork, cool palette, figure dissolving into textured ground
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, soft naturalistic palette of weathered stone with warm confident figure
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, sharp alpine geometry in dark silver and blue, contrasting with richly painted warm tones
Large irregular fragments of cobalt cream deep red and teal burst outward from the figure like a shattered wall fresco. Figure painted in warm terracotta and flesh planes with the same impasto weight as the ground. The whole surface feels ceramic and substantial.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, painted as a burst wall fresco with substantial impasto and earthy flesh tones
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, very tight cropping, in brooding theatrical impasto, dark swirling forms framing pale light