Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in angular red color planes with cubist geometry
Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in bold red and white geometric planes with black outlines and cubist fragmentation
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Cool grey crosshatch and gestural marks fill the background with organic forms emerging from the surface. The figure is sketched rather than rendered with loose confident line. Immediate and alive with a life-drawing energy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in loose gestural charcoal with expressive crosshatching
Cool blue-purple ground with fragmented cream and gold shapes behind a confident figure. Background generates a broken tile or stained glass quality. Bold and slightly psychedelic in register. Figure holds coherence against the fractured surround.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in fractured blue-violet and gold, like shattered stained glass
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in cool blues and taupe with angular stone-like geometry and a classical arched border
Warm sepia-tan ground with visible canvas or linen texture throughout. Background generates loose angular-organic dark forms — primitive architectural fragments or crude masks. The whole surface has a warm parchment quality. Textured and slightly hallucinatory.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in warm sepia tones on raw linen with ghostly primitive forms emerging from the weave
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in bold mosaic-like fragments of gold, ochre, and cobalt on white
Near-white ground with sparse irregular dark forms in grey-brown and warm taupe scattered at the edges and base. Figure painted in warm flesh tones with precise dark line standing clearly in the open white field. Bright airy and uncluttered.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted in warm flesh tones with crisp ink lines on an open white ground