Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in angular red color planes with cubist geometry
Fine crosshatch and contour lines on a warm ground with geometric forms in the background. Detailed and energetic. The lines map the figure with conviction.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in fine crosshatched ink lines over warm-toned paper with geometric backdrop
Deep burnt orange and amber flanking forms cradle a cool white figure. The background generates warm flame-like shapes that contrast sharply with the pale painterly rendering of the figure. Vivid and energetic with strong colour drama.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, in vivid burnt orange and amber with painterly white figure
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in cool blue-grey cubist planes with warm flesh tones as the sole contrast
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, in bold ink outline and flat rose-pink shadow fills against pale grey
Warm latte tones unify figure and background in golden cream and brown. Background generates smooth rounded boulder forms in pale grey-brown. Figure emerges with hyperreal softness against sculpted cave-like stone. Richly flattering to warm-toned sources.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in warm latte tones with golden cream and soft brown unity
Warm peach gold and dusty mauve fragments spiral behind a coherent figure. Background generates strong rotational energy — almost kaleidoscopic. Figure holds while the surroundings dissolve into motion. Energetic and flattering to warm sources.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in swirling peach gold and dusty mauve with kaleidoscopic rotational energy
Pale ice blue and dark brown in large flat geometric planes — the figure shattered into cool angular fragments. Background dissolves into the same fractured geometry. Stained glass or broken mirror quality throughout. Cool and precise with real graphic authority.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in pale ice blue and dark brown geometric fragments with shattered-glass precision
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in smooth river-worn stone tones of blue-taupe and pale rose
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in soft pointillist strokes of cream and mauve-blue that bleed into luminous clouds
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in luminous whites with dark tendril marks and warm flesh tones
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Portrait of a partially dressed subject with arms up, downcast eyes, body from the side, lingerie, arms up, cropped at the waist, rendered in cool geometric planes of blue, grey-cream, and taupe with ceramic-glazed depth